Public Lecture Series on Gender Studies 2011: Psychoanalysis, Architecture and Turkey, Photography, Postcolonial Cultural Politics / 性別研究公開講座系列2011：精神分析、土耳其建築、攝影、後殖民文化政治
Organizer: Gender Studies Programme, The Chinese University of Hong Kong
Sponsor: Lee Hysan Foundation
Venue: Duke of Windsor Social Service Building, 15 Hennessy Road, Wan Chai, Hong Kong (Wan Chai MTR Exit A2)
Inquiries: email: genderstudiesPLS@cuhk.edu.hk; tel: 2696 1026; fax: 2603 7223
Registration:
http://www.cuhk.edu.hk/gender/publiclecture.htm
26.01
講題：當亂倫創傷遇上精神分析──原初幻想或建構的真實？
講者：彭仁郁 台灣中央研究院民族學研究所助研究員
日期：二〇一一年一月二十六日（星期三）
時間：晚上七時三十分至九時三十分
27.04
Topic: Women and the Modern Domicile in Turkey in the Mid-20th Century
Speaker: Meltem Ö. Gürel Assistant Professor, Department of Interior Architecture and Environmental Design, Bilkent University, Turkey
Date: Wednesday, 27 April 2011
Time: 7:30pm – 9:30pm
27.07
講題：與邢丹文對談：攝影、現實及生存的關係
講者：邢丹文 北京獨立藝術家
日期：二〇一一年七月二十七日（星期三）
時間：晚上七時三十分至九時三十分
Oct/Nov. Visiting Scholar
TRINH T. Minh-ha 鄭明河
Professor
Department of Gender and Women’s Studies and Department of Rhetoric
University of California, Berkeley, USA
Born in Vietnam, Trinh T. Minh-ha is a filmmaker, writer and music composer. Her works include: ten books, including Elsewhere Within Here (Immigration, Refugeeism and The Boundary Event, 2010); The Digital Film Event (2005), Cinema Interval (1999), Framer Framed (on film, 1992), When the Moon Waxes Red, (on representation, gender and cultural politics, 1991), Woman, Native, Other (on post-coloniality and feminism, 1989), En minuscules (poems, 1987), and in collaboration with Jean-Paul Bourdier, Habiter un monde (Paris, 2006), Drawn from African Dwelling (1996), African Spaces - Designs for Living in Upper Volta (1985); seven films • Night Passage (98 mins narrative, 2004) • The Fourth Dimension (87 mins digital film, 2001), • A Tale of Love (108 mins, 35mm, 1995), an experimental narrative, • Shoot for the Contents (102 mins, 1991), a film on culture, art and politics in China, • Surname Viet Given Name Nam (108 mins, 1989), a film on identity and culture through the struggle of Vietnamese women, • Naked Spaces - Living is Round (135 mins, 1985), and •Reassemblage (40 mins, 1982); and four large-scale multi-media installations, • Nothing But Ways (in collaboration with L M Kirby, 1999, Yerba Buena Center for the Arts, San Francisco), • The Desert is Watching (in collaboration with Jean-Paul Bourdier, 2003, Kyoto Art Biennale), • L'Autre marche (The Other Walk, June 2006 until 2009 at the new Musée du Quai Branly in Paris, France, also in collaboration with J-P Bourdier), and • Old Land New Waters (2007, 2009, Okinawa Prefectural and Fine Arts Museum; 2008, Guangzhou Triennial, Guandong, China).
The recipient of numerous awards and grants (including the "Trailblazers" Award at MIPDOC, Cannes; AFI National Independent Filmmaker Maya Deren Award; fellowships from the Guggenheim Foundation, the National Endowment of the Arts, the Rockefeller Foundation, the American Film Institute, The Japan Foundation, and the California Arts Council), her films have been honored in over forty two retrospectives in the US, the UK, Brazil, Canada, Italy, Korea, Spain, the Netherlands, Slovenia, France, Germany, Switzerland, Austria, Japan, India, Taiwan, Hong Kong, Jerusalem, and were exhibited at the international contemporary art exhibition Documenta 11 (2002) in Germany. Trinh Minh-ha has traveled and lectured extensively—in the States as well as in Europe, Asia, Australia and New Zealand—on film, art, feminism, and cultural politics. She taught at the National Conservatory of Music in Dakar, Senegal (1977-80), at universities such as Cornell, San Francisco State, Smith, Harvard, Ochanomizu (Tokyo), Ritsumeikan (Kyoto), Dongguk (Seoul), and is Professor of Gender & Women's Studies and of Rhetoric at the University of California, Berkeley.
Public lectures
"Walking with the Unmourned"
"The Politics of Forms and Forces"
Seminar
"The Boundary Event"
Workshop
"D-Story, D-Film" – (Cinematic, Digital, Transcultural) Screening of the film NIGHT PASSAGE followed by discussion
性別研究公開講座：當亂倫創傷遇上精神分析──原初幻想或建構的真實？
